Day 2 Paisley

Wednesday 22 April. We started at the Paisley City Museum. This is a free museum and the oldest municipal museum in Scotland. It houses one of the best collections of Paisley shawls in the world. The collection curator, Valerie Reilly, gave us a detailed talk and slide presentation of the history of the Paisley shawl from the design's origins in Babylon where it was a fertility symbol, how it spread to the Kashmir region of India, and then finally to Europe. The East India company started importing them to Europe in 1780.

Originally the shawls coming from Kashmir were made of pashmina goat fiber that was collected from bushes where the goats would rub it off. These shawls were woven on simple wooden looms and took months to weave. The limited source of the fiber and the time it took to weave these shawls in Kashmir made them very expensive. Josephine, Napolean's wife, had 200 shawls in her wardrobe. By the late 1700's the shawls were being produced in Edinburgh, Norwich, France, Russia and Paisley on draw looms. Paisley had highly skilled weavers who had previously woven linen.

The town of Paisley in the height of popularity of the Paisley shawls around 1840, had thousands of weavers making these wonderful cloths, then on the Jacquard loom. An elaborate paisley design could take 484,000 pattern cards to produce it. But the weavers had to be accurate in their weaving, so that by the time they had woven an entire shawl pattern, they were within 1/4" of the required length.

The paisley pattern changed throughout the 100 years the shawls were in fashion The designs became more elongated in the Victorian era. The size of the shawls also changed as women's fashion changed. In the 1850's, the shawls were woven 5' 6" x 11' so they could be folded and used like a coat to fit over crinoline skirts. When the bustle came into fashion 1865-1870, this was the death of the paisley shawl as the shawls didn't work with the protruding bustle shape. Some Paisley weavers found work into the early 20th centuries when “fur shawls” enjoyed a period of fashion popularity. http://www.renfrewshire.gov.uk/

Dan Coughlin is far more than the weaver at the museum. Part of hisjob is to research the equipment used in the shawl industry. He also teaches weaving classes on Fridays at the museum. Dan showed us pattern books and explained the process from designing to weaving. At the peak of the Paisley shawl industry there were 10,000 weavers working in their homes and perhaps 20,000 more people supporting the trade. The fine threads, 80 to 120 ends per inch in paisley shawls and the exacting weaving specifications meant the Paisley weavers were highly skilled. Dan has rebuilt several jacquard looms back to working condition in the weaving studio at the museum. He made a shuttle box that holds 10 shuttles for one of the looms. Paisley is the only place he found that shuttle boxes this large were used on the looms. He is currently building a draw loom and turning 200, 3/16” thick pulleys for it. His next project is designing a beaming frame. Here Dan is showing how the pattern cards were punched for the Jacquard looms that wove the shawls. Once the weaving industry died, most of the looms were turned into firewood. But with Dan’s passion, skill, and dedication, he is bringing the history of the weaving equipment and the art of weaving back to Paisley. Nowadays, people can weave for enjoyment, unlike the past where the weaver was the loom’s slave. One journal of a weaver of Paisley reads “I’m glad to be free of the four posts of misery.”

Sma Shot Cottages are just down the road. The name Sma Shot comes from the binding weft thread that was thrown every 7th pick to hold the rest of weft threads in place in the paisley fabric. A society has resurrected and preserved one of the weavers cottages from the era when linen was woven Paisley, (1700's) and then other rooms depicting life in later years.

The men were the weavers, but there were many other jobs associated with making the shawls including designers, beamers, warpers, washers, steam pressers, stenters, fringers, and then the marketers. The weaver took an oath to eat his shuttle rather than give away trade secrets. Thus the shield for the weaver's trade has 3 tabby cats on it with shuttles in their mouths. Their motto was "Weave Truth with Trust" The first Saturday of July, is "Sma Shot Day", still celebrated. This commemorates the day in 1856 when the weavers won the case to be paid for the yarn used to weave the "sma shot." http://www.smashot.co.uk/

Here is a shot of the group in the courtyard garden at Sma Shot. Dan came down to the weaver's cottage to demonstrate weaving on a countermarche loom he has set up. Here he is flanked by 3 of my female travelers. Once in a while there is a perk to being a weaver!

We always enjoy a nice lunch complete with clootie dumplings at Sma Shot. Ellen Farmer, president of the society and her group of volunteers do a smashing job of keeping the story of Sma Shot alive. We thank the following dedicated volunteers: Joanie Taylor, Jenny Kemp, Sandra Hurst, Di Adam, Anne Milne, Douglas Gillepsie, Margaret Devlin, Agnes Maclean, Elinor Robinson, Mary Reed, Cathy Wier, and custodian Angela Gillespie.

The Thread Mill museum tells the story of the huge thread industry in Paisley that shut the last door in 1992. The Coats and Clark Company which was a combination of the Anchor Thread Mill and the Ferguslie Thread Mill, at one time produced 90% of all the thread made in the world. 10,000 workers were employed in the mills. To allow mothers to work, there was a twilight shift from 5:00-9:00 pm. The cases display mile reels of thread, posters, memorabilia from mill workers, and now all the photographs have been digitalized and are displayed on a large plasma screen. Most of the volunteers who run this museum worked in one of the mills. We thank Eleanor, the leader of the volunteers and Nessie, one of our guides for lovingly sharing the history of the thread mill industry with us. http://www.paisleythread.org/

Paisley Abbey dominates the center of town. 13 monks from the monastic order from Cluny, France, founded the monestary. The 12th century abbey has a medieval nave. The monestary was disbanded in 1560 and the central tower of the abbey collapsed in the same century. Restoration started in the 19th century and continued into the 20th century and even now. This week the pipe organ will be removed for restoration. Since we couldn’t hear the organ, I asked permission to sing a bit of Handel. I love the acoustics of fine old buildings like this. The stained glass windows all have interesting stories, described in a pamphlet available at the entry. The abbey also houses Royal Tombs including Marjory Bruce, the daughter of Robert the Bruce and King James III. The Abbey is known as the “Cradle of the Stewart Kings.” We couldn’t stop exclaiming at the magnificent beauty of the flowering cherry trees in bloom on the Abbey grounds. www.paisleyabbey.org.uk

Part of the group traveled to Edinburgh tonight to hear a fiddle legend, Frankie Gavin, of Ireland. The Edinburgh Folk Club presents live music every Wednesday night at the Pleasance Bar. For anyone traveling to Scotland, be aware that many towns have folk clubs with weekly gatherings for singing, playing, or performances. Here is where the real music can be heard. Foot Stompin has an excellent website that list folk clubs and a concert calendar that lists performances to be found all over Scotland. http://www.footstompin.com/

I’ve heard many fiddle players. Frankie is certainly the one with the fastest fingers!I wished for my metronome to see just how fast he was playing some of the reels.He played tunes on both the viola and the violin. It is not a common thing to hear celtic tunes played on the lower pitched viola. He was accompanied by a very creative, improvisational guitar player, Mike Galvin. To attest to Frankie’s genius status, the audience included some of the top musicians in Scotland including lads from Battlefield Band and Boys of the Lough. Look for video that Paul and I shot on YouTube later this spring. Frankie’s friend noticed us shooting some sets from our primo front row seats and requested footage!

Day 1 Stirling and Glasgow

Tuesday 21 April. Welcome to my blog about the third Scotland adventure I’m leading for weavers and spinners. I'm happy to be dancing, hopping, well mostly riding around Scotland once again. Folks ask why I do this trip. The simple answer is, I love the country and it’s people.In a nutshell, I spent the summer of 1997 in Scotland hiking and roaming, meeting farmers, weavers, felters, fiddlers, and singers. That is when I hatched my idea to bring folks who like music, old stones, and weaving to Scotland to meet my friends!It took 10 years, but in 2007 I brought my first group from North America over. I’ll keep leading this trip as long as people are interested in getting an insider experience into the spirit of this place and its people.

This group includes travelers from Florida, New Mexico, and California. Some of them have traveled together as a group before. For some it is their first time out of North America. Others are regularly on the road 3 months a year. I've found one hardy walker who can easily keep pace with me and several are certified deep sea divers! It is an interesting mix of folks that I already know ask excellent questions of our guides.

Day 1 we headed north out of the city for the first venue of the trip, Stirling Castle. Although the weather was like summer yesterday, we started today with some clouds and some rain. By the end of the day when we returned to Glasgow the sun was out. So that is how it goes in Scotland, just as where I live in the Pacific Northwest. If you don’t like the weather, wait five minutes and it will change. Stirling Castle is the site of many famous battles.It rises out of the lowlands as the entrance gate into the highlands. From the castle you gaze across fields where many battles have taken place in earlier history and look across to the Wallace monument. The Romans originally built the only road from south tonorth that ran right through this area where the Firth of Forth meets the River Clyde Basin. That is why it was a strategic site for holding or conquering the land. Many different buildings and fortifications have stood on this site since the 1200’s. The castle has been rebuilt at least eighteen times over the centuries. Historic Scotland's website can fill in the details of this historic place. www.historic-scotland.gov.uk

It was a busy and eventful day at the castle. The army was there to render a 21-gun salute for the Queen’s 83rd birthday. 3 guns were set up next to the display canyon on the castle wall facing Abbey Craig. At noon, the pipe band processed and played for the firing spectacle. Thanks to traveler Paul Causey for the firing jpg.

We have the current renovation of King James V palace to thank for the Unicorn tapestry project. Historic Scotland is working with the West Dean Tapestry studio to recreate the 7 tapestries in the “Hunt of the Unicorn” series. The originals with the blue background are in the Metropolitan's Cloisters Museum in New York City. The other series with the red background are the Cluny Museum in Paris. You may enjoy reading Tracy Chevalier’s excellent historical fiction book called “The Lady & the Unicorn” based loosely on the weaving of the original tapestries.Since records show King James had over 100 tapestries in his palace, very likely including a version of the Unicorn tapestries, the Hunt series was chosen to be made anew. Louise Martin, the head weaver of the project, gave us an in-depth look into the scope of this amazing project. The 4 tapestries already completed are hanging on display at the Chapel Royal include:"The Unicorn in Captivity#1"
“The Unicorn is Found #2”
"The Unicorn is killed and brought to the castle #6"
“The Unicorn in Captivity #7”

They are all 330 cm tall and various widths. Since my last visit, "The Unicorn is Found" woven at West Dean, was hung. Detail of "Unicorn is Found"

A temporary studio was built on the north end of the castle for this project. Visitors to the castle can view the weaving but are not permitted to talk to the weavers while they are at the loom. The weavers are currently working on "The Unicorn at Bay” which was started on February 6, 2008. A great delight for me is that I see the progress on the tapestry project each year.It is humbling to realize that it will take 3 highly skilled weavers working 7 days a week, 3 ½ years to complete this current tapestry. Another tapestry in the series is being woven at the West Dean Tapestry studio 500 miles away in England. The entire project will be completed in 2012 when the whole set of tapestries will hang in the newly renovated palace at Stirling Castle. http://www.westdean.org.uk/tapestrystudio/commissions/historicscotland.shtml

To render the full-scale design and cartoon, the head weavers go to New York to the Cloisters. They have access to within one millimeter of the original tapestries but cannot touch them. They figure out yarn colors and make a detailed plan for each figure and motif in each tapestry. Working from full size color copy, they make an acetate tracing of the tapestry. Then from this they make a paper cartoon. Samples are woven to work out specific techniques to achieve desired effects. The wool yarn is all dyed at the West Dean studio. Instead of silk, pearl cotton is being used for the shiny parts as it has longer color fastness. Historic Scotland requires that the materials being used in the tapestry hold up for 250 years.

Reweaving the tapestries is not a matter of copying. First, the new tapestries are being woven 10% smaller than the originals to fit in the space in the palace. They are weaving with fewer EPI (ends per inch) in the warp because it would take too long and cost too much money to weave them at the original finer warp set. (A patron in her eighties is financing the project.) Also, the head weavers have to train the weavers who come in to weave each tapestry. Although all experienced tapestry weavers, they need to understand the specific techniques and develop nuances of skill. There will be about 25 weavers total who have worked on the series by the time it is completed. Each weaver has to leave their own individuality and style behind and try to get into the mind of the original weavers as they work. Getting this inside look at the current project is really special. The scope, historical accurateness, detail, and dedication is amazing.

Back in Glasgow, we toured the Glasgow School of Art. There has been in art school in the city since 1845. This current building was completed in 1909 based on a design by Cahrles Renne Mackintosh. When he won the design competition for a new building, he was 28 years old, both working for an architecture firm, and attending school here part time. The clean lines and the influence of nature inside the school was influenced by Mackintosh's appreciation of Japanese design. Throughout the building the "Mackintosh Rose" symbol appears again and again. Margaret, Charle's wife, a fine artist, designed gesso plaques and had a great influence on Charle’s interior design. The tour ends in the new venue for the furniture gallery. A selection of chairs, tables, bed, dresser, cabinets from the school’s collection is on display.No photos can be taken inside the building.

Charles died in 1928, poor and virtually forgotten, and Margaret died in 1932. Their marriage was a true love story. Today, people world wide value the design aesthetic we today call "Mackintosh.”There are many other sites in the Glasgow area that feature the architecture and interiors of Charles Mackintosh. We ended the day at the University of Glasgow. Travelers were free to explore either the newly renovated Huntarian Museum or the MacKintosh House. When Charles and his wife Margaret MacDonald left Glasgow in 1914, one of his patrons bought the house. When the owner died, the family left the contents to the University of Glasgow. The actual house, located just a few blocks from the University, was torn down in the 1960’s. But in the early 1980’s, the museum built this addition to the gallery which replicates the rooms of the MacKintosh house. Each room is decorated with the furniture, light fixtures, artwork, textiles, and colors true to the original house. The sense of light and unity in the house gives a sense of sacred space. The popularity of MacKintosh and his designs today is amazing considering he died in London, almost entirely forgotten and poor.
www.hunterian.gla.ac.uk

Day 14 Fort Wiliam to Glasgow, Farewell

The last day of our tour we headed south from Fort William through the stunning scenery of Glencoe glen. A number of movies, including the 3rd Harry Potter, have used this area as a set. The tragic massacre of the MacDonalds of 1692 continues to give this area of natural beauty a tragic air. Richard played a recording of "Glencoe Massacre" sung by Alasdair Macdonald which made us all quietly contemplate. Much of the land in the glen is now owned and protected by the National Trust of Scotland. We stopped at the view point of "The Three Sisters" mountains. Margaret's finally agreed to pose for my camera.

Our last bit of nature before heading back to Glasgow was a stop on the shores of Loch Lomand where sang “The Bonnie Banks o Loch Lomond” It was penned by a prisoner of the Jacobite campaigns before he was executed. He believed that his spirit, upon execution, would travel back the spirit world via the “low road” to the place of his birth, Loch Lomond, while his prison mate, who was to be set free, would have to walk back home to Loch Lomond. So this gives new light to these words: “You’ll take the high road and I’ll take the low road and I’ll be in Scotland afore ye. But me and my true love will never meet again on the Bonny bonny Banks of Loch Lomond.”

Upon returning full circle to Glasgow we visited the Burrell Collection, housed in a museum in Pollok Park. Sir William Burrell amassed great wealth in the shipping business and spent his money on collecting artwork from all over the world. There are many tapestries in the collection. Helen Hughs, the textile conservator, allowed us a veiw of the conservation room where the work of studying and preserving the embroideries and tapestries take place. She feels "textiles are at the heart of Glasgow's history. The raw materials, like Turkey red dye, and cotton, came here because of the shipping industry. The Textile Department at the Glasgow School of Art continues to train designers who go into the interior fabrics trade."

Dina Ward, guided us through the tapestries on display. The collection includes large and small tapestries from Flanders, Brussels, and France. I really enjoyed Dina's insights on "The Dishonest Miller" tapestry, made between 1300 to early 1500's. I have seen this tapestry many time, but when she told us about the reputation of millers, pointed out the dress of the two couples depicting different social status, the story began to reveal itself to me. Entry to the museum is free and walking around the park which has a large herd of Highland cattle, flowers, and trees, is a green peaceful retreat in the middle of the city. http://www.glasgowmuseums.com/venue/index.cfm?venueid=1

I want to thank Richard, our coach driver/guide from Rabbies Trail Burners http://www.rabbies.com/ once again for driving us 1692 miles around the country. He was still smiling at the end. He is always off scoping out good scenes as soon as he drops us off and cleans up the coach. He sells photographs of scenic Scotland on his website. http://www.scotlandthroughthelens.com/

How do I summarize 2 weeks on the road in search of threads, ruins, and tunes? We had no major illness or mishaps, and so much sunshine that some pale skinned northerners got sunsburned. It was wonderful to share the best of the sites, places, and people I had met on 5 previous trips to Scotland with the 15 travelers on this tour. Some were seasoned travelers, having been to Scotland numerous times. For others this was their first venture out of the U.S. You may enjoy reading newbie traveler, Bob's take on the trip at his blog site http://ramblinrobert.wordpress.com/

Travel is a wonderful teacher. We leave our framework of our normal, everyday lives, and are thrust into a culture, which may not seem so different from our own. But as we talk, eat, ride on ferries, visit museums, breath in deeply, we learn in subtle and sometimes not so sublte ways, that every culture has unique things they offer to the world.

Scotland has always offered her friendly people and welcoming nature to me and I believe my travelers felt this too. We fly back home and leap back into our lives, but we are not the same. Our being has been touched and changed. I always come home so thankful for the affordable food, fuel and energy we are privileged to have in North America . And I’m reminded to give back the hospitality to visitors in our communities and homes that we received in Scotland. Thank you for blogging along on this journey. If your interest has been peaked, I invite you to come along in person next year. I'm taking reservations now!

Day 13 Leverburgh to Fort William

I always think a fine way to leave a place that has had a profound affect on you is to walk. So as I walked from Rodel Hotel to the Leverburgh ferry dock, the photos opening this day's blog bid me farewell to the Isle of Harris for another year. The hub bub over Sunday ferries to and from the Outer Hebridean isles has dissipated now two years after this service started.

And we were blessed with smooth water on our Sunday morning crossing from Lewis to North Uist to Skye. You really have to hustle on the drive between ferries from Berneray on North Uist, to Lochmaddy. Our driver showed off his expert driving skills and we made it 3 minutes before the ferry started loading.

Skye welcomed us with typical style and rained but still the green rolling hills and lush vegetation greeted us to this peaceful island. As we left the outer Hebridian’s behind, we all sang "Waulking Song from the Misty Isle of Skye" and "Skye Boat Song." With the only oil refinery in northern Scotland on strike, signs like this were common at fuel stations. The price you see in the pump is the cost per liter.

Eilean Donan Castle at Dornie was our destination. The castle sits on a small little island, making a picturesque view from every angle. Pat stands at the entrance gate. Castles have stood on this site for 800 years. The site was a monestary until the 8th century. Vikings ruled here for 450 years. Alexander the 3rd evicted the Vikings and the MacRaes owned this castle from the 1300’s until today. In 1719 the building was destroyed as the castle was a stronghold of support for the Jacobites. The castle stood in ruins for 200 years. In 1912 they started rebuilding the castle and completed the present building in 1932. The renovation was based on the 16th century version of the castle. http://www.eileandonancastle.com/

As we continued into the heart of the highlands, the clouds dissipated, the sun came out and the veiws beckoned us to stop. Here is a shrine of cairns, right along the roadway, no double added to by each traveler who stops. We also saw Ben Nevis. At 4480 feet, it is the tallest mountain in Scotland. Typically, only 52 days of the year is Ben Nevis visable.

We lodged in Fort William and enjoyed a fine meal at The Lime Tree restaurant. This B&B has an unusal feature in that as a former church, one part has been converted to a private gallery space that has exhibitions of highland artists and also shows work from the National Art Collections. http://www.limetreefortwilliam.co.uk/

Day 12 Isle of Harris

At an unlikey gallery, the upstairs of the An Clachan grocery store in Leverburgh on the southern tip of Harris, is displayed a wonderful labour of love. Gillian Scott-Forrest instigated the Millenium Project. A series of hangings was designed, one for each part of the island. The tweed fabric and the wool yarn used for the pictorial embroidery was hand dyed using plant dyes. Of the 1600 people living on Harris, 90 were involved in the project. The images on each hanging depict both history and current events from each area of the island. Each of the 8 panels are 5 fett by 2 1/2 feet. Until the project, called the Harris Tapestry, finds a permanent home, you can get your gas, buy your groceries, have breakfast, and learn of the rich history of the people and the island all in one stop. http://www.harristapestry.co.uk/

From Harris we drove up to Tarbert and over the bridge to the island of Scalpay to visit Sheila Roderick and John Finlay Feguson at croft #37. Scalpay island has 40 crofts in all. Sheila and John have been farming here for 30 years. The farm goes back in their family to 1890. To make a living, the industrious couple have 100 lobster creels, 40 Hebredian black sheep, a flock of ducks, guineas, chickens and raise turkeys for the Christmas market. The photos show a Hebredian lamb and ram and also the end result of the spun fleece. On of the travelers, Doreen, purchased some of the fleece and was clever enough to have brought along a drop spindle. She started spinning that this very afternoon!

The couple still harvest their own peat and grow potatoes in lazy beds. On their Hattersly loom, they weave linen cloth and linsey-woolsey. Some of their fabric ends up in costumes for movies and the theater in London and NY. Success does not come without long hours and hard work but you can hear the love of this rural life in Sheila’s voice. http://www.scalpaylinen.com/

We all enjoyed sitting around refurbished sewing machine tables to eat lunch at First Fruits Tea Room in Tarbert. Most of us didn't have room, but if you visit, be sure to leave room for their home baked desserts.

Tel: 01859 502 439

Just down the road in Tarbert we visited Terry, a current Harris Tweed weaver. Today, weavers have to complete a weaving course to prove their skill and competancy before going to work for the industry. There are 150-200 weavers on the island that supply the industry weaving on Bonas Griffeth double wide looms that are driven with a pedals like a bicycle. Due to some politics with the newish owners of the mill in Stornoway, there has not been any warps given out to tweed weavers for several months now. And then there is the issue of how to keep tweed fabric in the eyes of the fashion industry. Read more about the history of the industry at http://www.harristweed.org/

Winding our way back to Leverburgh via the Golden Road, we happened upon Katie Campbell's studio and shop in Plochropol, Harris Tweed and Knitwear. Katie has been weaving tweed for over 40 years. She and her sister grew up at the foot of their father who was also a tweed weaver. "Grannie had 11 girls who all spun. My mom died young. There were 4 of us girls and Dad bought a Hattersly Loom. We went to sleep to the click clack of the loom. It was lovely. It was safe." Katie and her daughter keep two Hattersly looms humming along turning out colorful contemporary and traditionl tweed cloth. Besides yardage for sale, they have their fabric sewn into caps, backpacks, handbags, jackets, teddy bears, etc. http://www.harristweedandknitwear.co.uk/family.html

We capped off our 2 days on the islands with a celebration at Rodel Hotel. http://www.rodelhotel.co.uk/ Donnie and Dena MacDonald have converted a former school into a hotel and restaurant where fresh and simply prepared local fare is served. The seafood, some hand dived for just down the road, was the best we have eaten on the trip, as Jan's face concurs.

Bill Lawson, local history, genealogy expert and author of many books, joined us and told us about the history of the tweed industry and the island. http://www.billlawson.com/Then is wife Chris, and the rest of the "Luadh" group did a wualking for us. They thumped, rubbed and passed a length of tweed around a table while singing waulking songs in Gaelic. Waulking was the process used to full and finish the cloth once it came off the loom. All was very orderly and efficient until they asked for volunteers from our group. After that not much waulking but a lot of laughter was acheived!

Day 11 Ullapool, Lewis, Harris

The ferry took us to the Outer Hebridean islands of Lewis & Harris today. But before leaving Ullapool, some of the group checked out Strandlines and The Unlimitied Colour Company, two shops that carry handknits, and other textiles from the UK and around the world.

We journey the 2:45 minutes by ferry because this is the land of Harris tweed. Some of the group productively knit away with yarn they purchased on the trip. Others used the time and comfortable reclining ferry chairs to catch up on sleep!

The definition of Harris tweed: made from the wool of Scottish sheep, spun in the Outer Hebrides, woven by hand, and finished in the Outer Hebrides. When the potato famine hit Scotland 1845-47, Lady Dunmore took the tweed the islanders were weaving, traveled the world, marked up the price 20x and came back and gave the weaver all the profit. Harris tweed became famous worldwide and the demand kept growing. Originally the tweed was naturally dyed. Crotal, a lichen, gave light to dark rusty color. Spinning mills came in 1907 and all the yarn was then aniline dyed.
In 1926, the Hattersley Loom greated increased the productivity of the weavers. The looms had hands free flying shuttle mechanisms and were powered by stepping alternately on two pedals.

This is the loom you see Donald Macarthur, weaver at Gearranen Blackhouse Village weaving on as we stepped into the past to All the handweavers in our group marveled at the wonderful hands free, shuttle mechanism sends up to 6 different shuttles flying across the warp. The warp Donald was working on was 33" wide set 18 EPI with 18 PPI. In one and a half days, 100 yards could be woven on a Hattersly loom. http://www.gearrannan.com/

Most of the 9 houses at Gearannen were built in the 1850’s. In 1989 a trust was formed to restore the houses and the village opened in 2000. When the blackhouses were built, they were long structures with an open plan. Animals lived and one end and people lived at the other. The roof was thatched. Blackhouses were very similar to the much earlier Viking long houses. Most had open fires in the middle of the living area. Medical officers required that dividing walls and windows be put into the houses by the turn of the century. Some also put in chimney’s. 50% of the rurual population on the island still lived in blackhouses up to 1939. Mary, our guide, taught us some Gaelic words and offered us these thoughts. “The people who lived in these houses were penniless. But they had a lot of thing we need here now…community spirit and tolerance. We are losing the richness of simplicity.”

Dun Carloway Broch rises up on hill in the midst of current modern day farms. Perhaps ¼ of the original broch still stands. But the impressive stonework remaining gives a good idea of what life in this multi-storied landowner’s home from the Iron age was like. http://www.stonepages.com/scotland/duncarloway.html

The sky clouded over by the time we reached the Callenish Standing Stones, but I think that light makes them all the more impressive. A small visitors center tells the history of the area and surmises about the why and how of the circle. The cross formation of stones intersecting this circle sets it apart from stone circles we saw on Orkney. Many other smaller standing stones line the west coast of Lewis. http://www.undiscoveredscotland.co.uk/lewis/calanais/index.html

Harris lies south of Lewis. The islands are actually connected by the road, but as you reach Harris, the hills rise up and the landscape becomes much more rocky. Harris also has brilliant sandy beaches. We stayed in the vicinity of Leverburgh tonight and the next to get a better feeling for this island where farm animals far outnumber the people